Over the past month, I’ve been revising Tree of Blood a lot. (Ten or eleven times, to be exact.) After several revisions I realized that I’d written myself into several plot knots, primarily because I’d been adding in all sorts of backstory without stepping out to make sure it still made sense as a whole. And so I stopped myself. I wrote an outline for the whole play, then went back and rewrote it from scratch, and after a few tweaks here and there, it’s noticeably better. Still creepy, but without all the confusing holes in the plot. :) We’re in the middle of rehearsals at the moment and will be performing in a mere two weeks. Egads!

And I’m not assistant directing anymore, by the way. I’m directing. Yup, I don’t have all that much experience under my belt (assistant directing a single forty-five minute play and writing four of my own plays, plus watching lots of plays and movies over the course of my life :P), but I’m now the director of James Goldberg’s play Repeating History. It’s a good training-wheel play, since it’s only three pages long. But it’s got its own challenges, too — the bulk of the play is effectively a Powerpoint presentation, for example. There’s only one character (well, there’s sort of a second character, but she only has two lines and she’s not onstage). And the play has a lot of historical allusions that most people probably aren’t going to get, because we’ve all forgotten almost everything we learned in U.S. History.

In other news, I’ve got a few new projects lining up. First, I really want to get back into writing novels, so I’ve decided to aim at 1,000 words a day (which, as I learned from my NaNoWriMo experience, should be a piece of cake) and I’ve started outlining the one I’ll focus on for the next few months.

Second, almost every time I watch a movie I want to start writing screenplays, so I’ve decided to finally start doing it. I’ll probably start out with short films because, well, they’re shorter. :) And they’re similar to short plays, which I’ve got a decent amount of experience with.

Third, I’m writing some TV scripts for a demo for this new television channel that’ll be starting up soon. I don’t know how much I can talk about it yet — probably more than this, but I’ll play it safe for now — but it’ll be fun. And regardless of the fate of the channel, it’ll be a really good learning experience. Besides, who ever thought I’d be writing for TV? Not me. :)

And last but not least, I need to start blogging on here more often. Monthly isn’t going to cut it. I’m also itching to redesign the site, but that’ll have to wait for a bit. (I’m currently redesigning the New Play Project site. And have been for a while; hopefully I’ll get it done this weekend.)

Unbindery’s on hold for now.

Great post by Robert Starling (via Gideon Burton) on Mormon Renaissance yesterday, called High Expectations for Mormon Filmmakers. This part was particularly inspiring:

In a “behind the scenes” portion Dr. Woodbury was recorded saying something that has guided my creative life. He had gathered his cast and crew who were bone-tired from endless rehearsals and he was exhorting them to dig down into whatever reserves they had and give their very best. He said, “My brothers and sisters, we are in the very last of the Last Days. The time is too short to waste our talents in producing “small” plays and giving “small” efforts (and producing “small” movies?). Everything we do must be something that has eternal significance if it is to have any real value.”

And the Capra story has just crawled into a secure place in my heart. Sure, I don’t think that creating fluff is necessarily a sin (though at the same time I can see how it might be), but “the talents you have, Mr. Capra, are not your own. God gave you those talents; they are His gifts to you, to use for His purpose.” Beautiful.