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a post on a retired blog, Blank Slate

Page to stage

No comments | Posted Mar 1, 2008 in Blank Slate, New Play Project, Plays, Writing

[Cross-​posted from Top of the Mountains.]

My play Snow­storm opened last night. With my last play I went to sev­eral of the rehearsals and run­throughs, so I had a fairly good idea walk­ing into the pre­miere how the show would go. Not so this time.

I could’ve gone to both the rehearsals and the run­throughs, yes, but I wanted to see what it’s like to pull back all the way and let the direc­tor and the cast have full rein over the play. Cold turkey.

And all after­noon I felt pre­cisely like a cold turkey. It was a month and a half ago that I sub­mit­ted my script, and in all hon­esty I hadn’t looked at it since. I didn’t remem­ber if the play was even any good. And the per­for­mance itself wouldn’t just be my script — it would be the script clothed in flesh and blood, brought to life. Words on a page are one thing; words on a stage, another. Anx­i­ety rode pig­gy­back in my gut all evening.

Having watched the whole show, though, I’m happy to report that it actu­ally turned out really well. There are nine plays total (though three of them are pretty much the same play broken up into three parts), and mine’s the middle one, right after inter­mis­sion. (Which meant I was almost too ner­vous during the whole first half to enjoy it prop­erly. Luck­ily there are two more per­for­mances today. :))

The funny thing is that it’s been so long since I read the script that I kept think­ing, “Oh, wow, they added that. And that. And that.” And I just went back and re-​read the script and almost every line I thought they added was actu­ally there in the script. Fancy that. :) (The cast and direc­tor really did do a great job with it, and they added some extra block­ing that worked out won­der­fully. I’m pleased.)

During the talk­back ses­sion I real­ized that mine was the only play with­out some kind of deeper mean­ing. It’s pure fluff. Enter­tain­ing cotton candy. :) (Not that I think a little of that isn’t bad. My next play is about a girl who finds out she’s going blind, so I’m get­ting a nice mix of light and heavy in.)

Anyway, the nine plays run about an hour and a half, with an optional talk­back ses­sion after­wards (which lasts around half an hour). If you’re in Provo and are free at 3:30 or 7:30 today, it’s at Provo The­atre Com­pany (105 E. 100 N.) and is $5/person. And if you’re not free, that’s totally fine. :) (They’ll be record­ing the mati­nee today and I’m hoping I can get a copy and upload it so the rest of you can see it.)

In sum­mary: it’s scary as heck to see your script acted out — I felt like a shaved poodle all after­noon and evening — but it’s so worth it. :)

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